Man, if you DO ever go back to the first three seasons, you're gonna be all, "WTF?" Season four zoomed off in another direction. (I mean that in a good way.)
It takes them a bit in the first season to really get the feel for the show. It's very monster-of-the-week and stand alone. It's not until about episode nine, "Home", where the showrunners went, "Wait, so we can have a monster AND parallel the boy's story with this? SWEETNESS."
Edlund was a consulting producer (or some title like that) for a while but didn't start writing until season two. His second episode (the first was okay, but the second is what he's really known for) is classic SPN (if there is such a thing as classic SPN). Good stood, characters you care about, and kickass use of Styx.
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timeasmymeasure
no subject
Date: 2010-01-16 09:12 am (UTC)It takes them a bit in the first season to really get the feel for the show. It's very monster-of-the-week and stand alone. It's not until about episode nine, "Home", where the showrunners went, "Wait, so we can have a monster AND parallel the boy's story with this? SWEETNESS."
Edlund was a consulting producer (or some title like that) for a while but didn't start writing until season two. His second episode (the first was okay, but the second is what he's really known for) is classic SPN (if there is such a thing as classic SPN). Good stood, characters you care about, and kickass use of Styx.